My name is Mananiko Kobakhidze. I am an Illustrator and graphic designer from Tbilisi, Georgia. I study digital Media at Hfk-Bremen, Germany at the moment. I was raised in theater, and mainly that connection created my background. As a child, I tried to create puzzles and scenarios, which was quite challenging for me, helped …
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My name is Candice Houtekier. I was born and raised in France and moved to Montreal to do my master’s degree. After I graduated I started to work for commercial art galleries between Montreal and Toronto for a couple of years. Then I moved to Toronto and decided to launch my own business to help …
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Umanesimo Artificiale(UA) is a studio and an artist platform based in Fano, Italy, with a spread team of collaborators throughout Italy. It organizes events, workshops, and research projects and collaborates with both private and public institutions. UA focuses mostly on exploring artificial intelligence, live coding, interactive online experiences, AR, and trying to focus all its …
Russell Haswell is a Coventry-born multidisciplinary artist whose work covers video art, public sculpture, and production. Collaborating with the likes of Aphex Twin and Autechre Gescom, Pan Sonic, and Masami Akita (Merzbow). He worked with Florian Hecker on Iannis Xenakis’ UPIC system in their Haswell & Hecker duo, whose Blackest Ever Black LP is widely …
VAZHMARR (Vazha Marr) is a music producer from Tbilisi. He experiments on a variety of genres: ambient, glitch, or conventional melodic structures. Inspired to re-define the legacy of past decades, Marr’s multi-directional narratives may often unite under the tag of IDM. However, with a weapon of choice being live instruments and aleatory flow, especially during …
Scope of the Problem When considering interactive virtual experiences, especially video games, I would like to pinpoint major research topics or goals, which, in my opinion, are neglected to some degree in a cultural discourse in Poland, especially in the academic environment. These are: ● The study of the interactive medium as an artistic and …
Introduction In 1932 Antonin Artaud published “Theatre of cruelty” manifesto. It was the first time when the phrase “virtual reality” was ever used. It described how Artaud thought about the new format of modern theatre. In Artaud’s manifesto there is a passage concerning musical instruments: MUSICAL INSTRUMENTS: They will be treated as objects and as …
The Emergence of Digital Reality on the Polish Scene I will attempt to outline a juxtaposition of contemporary Polish activities and artistic projects which combine the use of current tools such as 3D, photogrammetry gaming engines, virtual and augmented reality, in the context of the search for authorial aesthetic values, new ways of building storytelling …
I met Ben in 2018. Our mutual friend Kay Khachatryan (Nystagmus) participated in “Caucasus All Frequency” Fest in Georgia. It was curated by “Mountains of Tongues” (Ben’s project), in partnership with the “Aqtushetii”, a festival/residency program in a remote mountainous village in the North. A ten-day workshop and concert series featuring collaborations and knowledge exchange …
