PANOPTICON

Robert Henke - Lumiere III at Teatro della Fortuna, Fano, Panopticon

Filippo Rosati: Umanesimo Artificiale

Umanesimo Artificiale(UA) is a studio and an artist platform based in Fano, Italy, with a spread team of collaborators throughout Italy. It organizes events, workshops, and research projects and collaborates with both private and public institutions. UA focuses mostly on exploring artificial intelligence, live coding, interactive online experiences, AR, and trying to focus all its …

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Interactive virtual art as an aesthetic No Man's Sky Andrei Isakov

Interactive Virtual Art As An Aesthetic Experience Of The Future, Between Accessibility And Gamification

Scope of the Problem When considering interactive virtual experiences, especially video games, I would like to pinpoint major research topics or goals, which, in my opinion, are neglected to some degree in a cultural discourse in Poland, especially in the academic environment. These are: ●  The study of the interactive medium as an artistic and …

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connection Przemysław Danowski vr

Sounds Of The Metaverse: A Brief History of Virtual Reality Music Instruments and Virtual Music Venues

Introduction In 1932 Antonin Artaud published “Theatre of cruelty” manifesto. It was the first time when the phrase “virtual reality” was ever used. It described how Artaud thought about the new format of modern theatre. In Artaud’s manifesto there is a passage concerning musical instruments: MUSICAL INSTRUMENTS: They will be treated as objects and as …

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Jakub Wroblewski Panopticon VR

Visual Transhumanism, Hybrid Realities and Immersion Traps: Sketch to the Index of Polish Artists

The Emergence of Digital Reality on the Polish Scene I will attempt to outline a juxtaposition of contemporary Polish activities and artistic projects which combine the use of current tools such as 3D, photogrammetry gaming engines, virtual and augmented reality, in the context of the search for authorial aesthetic values, new ways of building storytelling …

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Ben Wheeler: Culture of Physical Domains

I met Ben in 2018. Our mutual friend Kay Khachatryan (Nystagmus) participated in “Caucasus All Frequency” Fest in Georgia. It was curated by “Mountains of Tongues” (Ben’s project), in partnership with the “Aqtushetii”, a festival/residency program in a remote mountainous village in the North. A ten-day workshop and concert series featuring collaborations and knowledge exchange …

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